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I Am Big Foot

by Yotam Ofek

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1.
Fuck Them! 02:37
The barrel of my finger points to my temple though I've done nothing wrong. If I pull the trigger I'll kill the hero and my story won't go on. But fuck them! I'm running fast enough! Fuck them! I've got a special deal on botched conversations, more than I'll ever need. All these things creep into my bed-time dreams, I am never at ease. I keep forgetting that this is not a race, I must remember that this is not a race.
2.
I was in love with the way you chose your clothes for the day. We were too young to pretend it was not a dead end. Did all the time that passed us by open the wounds you used to hide, or are you still the strongest boy? As strong as you were when she died. Do all the roads we skated on still remind you of the songs that placed our hearts inside a box labeled 'before-we-got-lost.' I was in love with the way you chose your clothes for the day based on how bad they smelled. We were to young to pretend it was not a dead end, I thought you'd be there too.
3.
Camera 04:42
Take your camera with you. Take your camera and freeze this shot for all your life. Bring your broken things to me. Bring your broken things and I'll fix them for no price. 'Cause I've got a sinking feeling that this is all we'll have, and it takes too much time.
4.
Loud Urges 02:50
What would you call a perfect day, and how will you pay for your stay? I think I'm dying on my own. All I said was "I can't hide" but god knows I tried. I don't think I'll make it on my own. Loud urges, found myself running, found myself running out of energy, found myself hiding, found myself fighting. Looking back and backing off, trying to say I've had enough. I don't want to die all alone.
5.
Truth be told, she's sick of compromise, she won't see you when she's closed her eyes. Time will tell you what you failed to see, I think it will come as a surprise. Leave this place so she can get her rest, go away, you know it's for the best. When you're here it's always much too loud, you're no longer welcome as a guest. I'd like a written apology in the form of prose, iambic foot, a broken nose. Wait to see she's gone out for the day, don't stay around to make sure she's OK. Understand, she'll make it on her own. Acknowledge that it won't help if you stay. I'd like a written apology in the form of prose, iambic foot, a broken nose. I want my money back, I will take back my time, a terse effect, a broken rhyme.
6.
There are a few things that I don't want to talk about with you, including my fear of abandonment- I don't want you to know it's true. But I can't promise not to bend, sometimes I think of you as a friend. Every time I take a look to see if I'm on your hook I find it's me that's pulling deeper and deeper. Everything you ever touched that turned to gold and now is dust, I don't want to owe you anything. Your golden braids of silver hair, deceptive as a silent stare, I don't want to owe you anything. There are no more ways for me to say I want you to want me to, it's getting so damn heavy that I'd give my life to stop this song, it's true. But stopping now is gonna hurt, and you- you don't give a shit.
7.
Fog bites hard, can't see much past anxiety. Talks too much, because talking comes too easily. He's got the dust in our eyes. He's god to our pitiful demise. He's got the world squinting. Fog bites hard, with all the commotion in his hand. Can't deny, he never could remember your name.
8.
Tell me truthfully, are you beautiful as I think you are, or is it just your way of saying hi? You don't even try, it's just what you've always known even though no one ever taught you how. I'm falling in love with you. I bet you knew by now even though I never said it, but I think we've been through enough. I love you, it's true.
9.
Sugar Spree 03:40
Take off your clothes, shed your skin off, and I will see that you're happy as can be. Bear with this song, just one more song, and I will keep you company, you'll be with me. Bumblebee, sugar spree, you're the one for me. Penny Lane, heavy rain, I can feel no pain. You take off on strange aeroplanes just to be reflected off the sea.
10.
Every night I dream about the same things, I don't think I'll ever understand my dreams if I am alone. Every time I look at you from far away I think my head's going to explode with things that I don't understand. I'm waiting, waiting, waiting for the day I'll know your name. The day's alright, I just woke up and I've still got that morning voice, maybe I'll just shut up. I don't have anything new to say, so I'll just speak more of the same.
11.
The wine flows, before you know it, it's all gone. The more you drink, the more you talk to me. Some people spend their nights in solitude to repent, but we've done nothing wrong. Now that you're in a drunken haze, and I am too, you confess that you always need to be in control... I find it quite ironic. Before you know it, the sun is up, and I open my eyes to see you sitting there with a cup of morning in your steady, steady hands. It feels like together we can bring the dead back home, but home is where we'll never be ourselves. At least for now we're sheltered by the stupor, I wonder why this shit tastes so fucking bad. Now that you're so far away, and I'm with you, you confess that you always need to be on top... I wonder what it feels like. You're nothing short of beautiful.
12.
Time conquers and divides us one by one. Death do us apart, even those who're still alive. We deserve to be stars on our own T.V.. We all want the truth, but we won't kill for it.
13.
I can't name all the stars hanging right above my head. When I'm out here I am free to forget all that has been said, let this feeling spread. Turn the volume up above what is healthy for my ears. The excitement makes me feel like I am smarter than my peers, they are there I am here. When I'm dancing I can feel the grass grow beneath my feet, I feel this desert turn green, so I keep on- praying for a meadow to appear, and I'll- put my hand in the ground as the sand dissipates from here. Am I in control? I can't name all the stars hanging right above my head, and they taunt me, I need to be with them, but I am down here instead, feeling dead, feeling dead. When I'm dancing I can feel the grass grow beneath my feet, I feel this desert turn green, so I keep on- praying for a meadow to appear, and I'll- put my hand in the ground as the sand dissipates from here, and I'll- stick it to the man, because I need a scapegoat right now. Am I in control?
14.
I lied to save you, I put a part of me on the line. I thought that was a pretty clever thing to do. It’s been too long that I can’t make you laugh or cry without trying just a little bit too much. Don’t you know that I had better things to do when you called me? Wrote you a letter saying that I have changed again. You never read it, you said you don’t believe me anymore. Wrote you a story where the hero can believe his girl when she’s smiling and when she says it’s gonna be OK.
15.
Thankful 02:24
Love me, it should'be over, but it is. Thankful whenever I'm sober, which ain't a lot. Answers I should never have gotten, but I did. Questions should have lasted longer, that way I'd have learned. Coordinating my every minute to your whim. Forward thinking is over as of now. I'm not over you, I'm not over you.

credits

released November 3, 2013

All songs by Yotam Ofek.
Produced by Yehu Yaron.
Arrangements by Yotam Ofek, Yehu Yaron, Adi Rennert and Shahar Haziza.
Recorded at Pluto Studios by Ronen Roth, assisted by Omer Zussman.
Additional recordings at Ronen's studio by Ronen.
Mixed by Ronen Roth.
Mastered by Chris Athens.
Photography by Yael Pasmanik.
Illustrations and design by Liad Berkovitch.

Yotam Ofek - guitar, vocals;
Yehu Yaron - bass guitar, double bass, guitar effects on 'Morning Voice';
Adi Rennert - piano, hammond, synthesizer, string arrangements, brass arrangements;
Shahar Haziza - drums, percussion.

Strings on 'Camera', 'Tell Me Truthfully', and 'Fog Bites Hard': Maya Belsitzman - cello; Galia Hai - viola; Sharon Cohen - violin.
Brass on 'Fog Bites Hard' and 'Better Things to Do': Gershon Waiserfirer - tuba, euphonium, valve trombone; Yaron Ouzana - trombone; Adir Kochavi - trumpet.

Thanks:
Yehu, for the un-fucking-believable mentorship and for making this record so damn great; Mom, Dad and my beautiful family who were so involved and supportive; my music teachers throughout the years, and to Daniela, for instilling me with confidence; my dear and awesome friends, thanks for the unequivocal love; Ronen, Adi, Shahar, and Omer for pouring your heart and hours into this, and for being insanely gifted; everyone at Pluto for being unabashedly nice; to my bosses for not firing me, and to everyone at work; to Hirsch, Lior and Hadas for pushing me in the right direction while I was writing; Zohar, Micha and the Dvir family, for the countless thoughts and countless ideas; Omri and Aviv for loaning their precious guitars; and Liad for the beautiful images.

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